The Elements That Make People Buy Trap Beats

Before you get into making a trap beat the first thing that you must know is the main elements of trap beats that provides them that hardcore, gangsta feel. You can begin from a simple foundation a few key elements before starting making these types of beats. Here are a few elements that are very crucial in making trap beats and ultimately trying to get artists to buy trap beats. - Joey Badass Type Instrumental

 THE 808's - First and foremost the key ingredient that popular trap beats are known for is 808 sounds. 808 Kicks, Hi Hats, Toms, and Snares. These 808 sounds include the main sounds that give these beats that distinctive trap beat feel. Often the 808 kicks are made to give you a good low frequency punch to emphasize the sub bass tails that almost every trap beat has. In the marketplace today, 808 toms are the most widely used to use for drum fills. These toms are often used just prior to the ending from the 4th bar to emphasise the transition or prior to ending of the 8th bar. It depends on the feel along with the character of the beat and is also really up to you. The tom fills are generally used to give the beat a pleasant, fluent transition in a different part of the beat. Hot selling trap beats most of the time have a 808 snare drum sound. This is the very crucial component of trap beats. Most of the time, once it can be laid on the track, it's then boosted by a basic "EQ"(Equalizer) that enhances the bandwidth, frequency on an average of about 200 hz and adjust the high-frequency pass approximately the 50 hz -120 hz range, depending mainly on the bass and the direction you try to go with it. When in doubt listen on several systems, positions, and volumes(Ex. Monitors, Headphones, Corner Of the Room, Near and Far From Speakers, High,Mid, and Low Volumes). Your ears are and should be your most valued tool. Usually you will find these 808 sounds for the company website in the Digital Audio Workstation that you apply.

 DRIP EFFECTS - One other sound that is used a lot in trap beats are drip-like drop effects. Usually sounding nearly the same as a continuous water drop that starts with a high pitch and because the progression goes on it descends with a low pitch. These sounds, generally, are sampled sounds or even a self-programmed synthesized effect that emulates a drop effect(very difficult to do if you are not already informed about oscillators, wave sounds, filters, etc). This effect is mostly used in intros, transition points, in front of you breakdown, etc.

 CHANTS - They're a very commonly used, mainly for the reason that "Crunk" type of music. In the industry today, producers are utilizing chants more in trap and dirty south type beats. Usually chants are samples in most cases go something like "Hey... Hey... Hey... Hey". These consistent chants sound best when they're hitting on the 2nd and 4th beat of your 4 bar measure. Usually liable, to add extra feel to it so the hook features a more powerful impact and impression around the listener. Again, with respect to the flow and direction from the beat, placements of those chants may vary.

 LEADS, SYNTHS, BASSES, ETC - These elements are key to obtaining a hard hitting trap beat. This part provides the beat its character and personality and is mainly part that produces the beat memorable. Its popular to get a synth lead pattern including a simple 4 bar melody that switches between low or high octaves after every 4 bars. It's ideal to use this technique for the hook. In some cases producers use it on verses, depending on the complexity and advancement of the melody. It is very popular to leave your lead melody around the verses and leave the raw drum and bass lines while still with the other elements. This technique mainly can be used to bring out the vocals and provide the vocalist most presence about the beat. By far, this part could be the funnest part of making these trap beats because these synths and basses just give the beat that extra flame.

Ultimately after the day, if you want to add additional factors, by all means do it. It is important here is to experiment to spread out up the opportunity to grasp your individual unique sound. However is a different story when you have your trap beats on the market online. Artists, now days, tend to like beats that sound just like the songs they hear on the radio. Anyways, this is a whole different subject on its own and is for a many different article. This information shared this is strictly to help people experience an idea of the elements of an trap beat as well as what types of sounds to make use of to effectively make one. Keep in mind that there is no law here that says you have to follow these steps or instructions. By all means, feel free to do your own personal thing.

On the flip side, the most important thing you must learn to do is to trust what you hear. Your ears as well. Sometimes beats will begin off one way and wind up going in totally different direction. Occasionally this is a good sign that your level of creativity is growing.

Now the last thing I must leave you with. A cool technique you can utilize to help keep your trap beats right, as far as fluidity and consistency. Its referred to as the "TRIPLE F's". Which stands for "Flow", "Finesse", and "Fix".

 FLOW - First really listen and have the feel for the direction and flow from the beat. Then ask the questions "how may be the flow of the instruments or instrumentation? melodies? chord progression?"

 FINESSE - Then playback melodies, leads, drum beats, bass lines, and see if the finesse of these elements have confronted its fullest potential. This method usually will point out notes, chords, instruments, effects that can need to be re-touched and adjusted.

 FIX - Last step and final step here's to go back and fix the things that need to be fixed in order for the beat to possess consistent flow and character.

P.S - It is very crucial to always be experimenting on several melodies, sounds, effects, etc while creating or mixing your beat. If you believe it doesn't sound good, switch it and experiment with it. You need to know that music is infinite and you may literally do anything you wish with it. - Joey Badass Type Instrumental

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